‘Invisible Demons’s Rahul Jain On Cost Of India’s Industrial Growth – Deadline

In his documentary debut Machines (2016) director Rahul Jain addressed the problems of low-cost labour in his homeland, India. It was a unfastened, experiential affair supposed to flood the senses, however for the follow-up, Cannes entry Invisible Demons, he has opted for one thing a bit extra direct. Taking New Delhi as his topic and premiering within the competition’s new climate-themed sidebar, Jain’s movie is a sober have a look at the results of industrialization.

When he stopped by the Deadline studio with common collaborator and editor Yaël Bitton, Jain defined that the impetus for the movie went again to his school days, when he wrote a thesis about man, nature and movie. “It was my research on how films, since the inception of the cinema, have found a way to capture the relationship between our species and nature,” he defined. “I was going through cinema history to understand how we feel we were connected, and how that connection has eroded over time. And when I finished Machines I took a month long trek in Bhutan, which was very clear, pristine air. Then I took a one-hour flight back to Delhi, and as soon as I landed I immediately felt sick. It was the existential threat of becoming asthmatic after that moment that made me wonder: if somebody like me, who has ACs, air purifiers, water purifiers, is getting sick, then what about the whole city of Delhi, where there are many people who don’t have the same resources I do?”

Having labored intently with Jain on Machines, Bitton added that the director was, as soon as once more, making an attempt to place his message throughout non-verbally, with out utilizing stats, graphs and charts. “His process is to basically make the camera the protagonist of the film,” he mentioned. “Raul is creating a sensory language to immerse ourselves in human-made realities that are very harsh. And, through his process of filming, it’s about finding a way to show this experience: what it means to work in a factory, and what it means to be exposed to particles, what it means to be exposed to extreme heat. And to ‘tangibilize’, so to speak, these sensations.”

To hear extra from Jain and Bitton, try the video above.

Back to top button